Once the tone has been fully processed with compression, distortion and any pre-distortion effects (such as a phaser) the last main link in the chain is the final EQ and tone shaping (though time-based effects are still to come).The final EQ shaping is reliant on the speaker response, the speaker configuration, and whether the speaker [...]
Archive for June 2009
I’ve been working on a few up-coming posts about rhythm reading – and I’ve been using the Lilypond music engraver to prepare the notation. In doing so I’ve also discovered how to create blank manuscript and blank TAB paper. I also grabbed out the old templates I’ve been using to create my chord charts.
In CAGED Part 1, we saw how the CAGED system can be used to help beginner-intermediate players to visualise the chords shapes across the fretboard. Today we’ll apply the same idea to scale shapes.
Today I thought I’d post a pdf of a convenient chart of the most common open chord grips. Every player should be familiar with these simple shapes (even the slightly obscure ones such as 7sus4 chords) since they help develop more interesting movable shapes later on.