This post looks at applying modes in the context of melodic construction (such as in composition or improvisation) over a predefined chord progression. Specifically we are going to learn about scale choices, and finding the most appropriate modes and scales for given chords. In fact, modes and chords are really just two different ways of [...]
Archive for May 2010
In the last chord families post we looked at every possible three note combination of stacked major and minor thirds. Today we’re going to look at each of the four note combinations.
Many guitar students know a few open chords and the ‘basic’ barre chord shapes, but get discouraged from furthering their chord vocabulary due to off-putting nomenclature (Gb7#9b13 anybody?) and immense (not to mention mostly useless) chord dictionaries with ’10,000 Chords You Must Know’ – just where is the student supposed to start? And what is [...]