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	<title>Strung Out? Fret Not! &#187; Chord, Scale and Arpeggio Charts</title>
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	<link>http://www.tyquinn.com</link>
	<description>Music Theory for Guitarists</description>
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		<title>Chord Diagrams: Triads with Added Notes</title>
		<link>http://www.tyquinn.com/2009/chord-diagrams-triads-with-added-notes/</link>
		<comments>http://www.tyquinn.com/2009/chord-diagrams-triads-with-added-notes/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 08:01:37 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=1047</guid>
		<description><![CDATA[Today I&#8217;ve put together another set of chord diagrams in pdf format. Enjoy! The triads with added notes pdf includes 6th, add9, 6/9, min6th, madd9, and min6/9 chords. These are among the &#8216;must know&#8217; jazz chords and make great &#8216;smooth&#8217; alternatives to ordinary seventh chords.]]></description>
			<content:encoded><![CDATA[<p>Today I&#8217;ve put together another set of chord diagrams in pdf format. Enjoy!<br />
<span id="more-1047"></span><br />
The <a href='http://www.tyquinn.com/files/wp-content/uploads/2009/11/Triads-with-Added-Notes.pdf'>triads with added notes pdf</a> includes 6th, add9, 6/9, min6th, madd9, and min6/9 chords. These are among the &#8216;must know&#8217; jazz chords and make great &#8216;smooth&#8217; alternatives to ordinary seventh chords.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Arpeggio Diagrams</title>
		<link>http://www.tyquinn.com/2009/arpeggio-diagrams/</link>
		<comments>http://www.tyquinn.com/2009/arpeggio-diagrams/#comments</comments>
		<pubDate>Tue, 13 Oct 2009 08:01:46 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Arpeggios]]></category>
		<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=1295</guid>
		<description><![CDATA[Today I&#8217;ve just posted a few pdf&#8217;s which show the CAGED shapes for major, minor, dom7, maj7 and min7 arpeggios. They also have the most common two and three octave fingerings. Major Minor Dominant Seventh Major Seventh Minor Seventh All five arpeggios in one document]]></description>
			<content:encoded><![CDATA[<p>Today I&#8217;ve just posted a few pdf&#8217;s which show the CAGED shapes for major, minor, dom7, maj7 and min7 arpeggios. They also have the most common two and three octave fingerings.<br />
<span id="more-1295"></span></p>
<ul>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Major1.pdf'>Major</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Minor1.pdf'>Minor</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Dominant-Seventh1.pdf'>Dominant Seventh</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Major-Seventh1.pdf'>Major Seventh</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Minor-Seventh1.pdf'>Minor Seventh</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/10/Arpeggios1.pdf'>All five arpeggios in one document</a></li>
</ul>
]]></content:encoded>
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		<title>Chord Diagrams: Simple Triads</title>
		<link>http://www.tyquinn.com/2009/chord-diagrams-simple-triads/</link>
		<comments>http://www.tyquinn.com/2009/chord-diagrams-simple-triads/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 08:01:56 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=1221</guid>
		<description><![CDATA[I&#8217;ve been doing a few articles on the CAGED system recently, so I thought it was about time that I released a pdf with the basic CAGED shapes for simple triads. This pdf below shows the CAGED forms for major, minor, augmented, diminished, sus2 and sus4 chords, covering all of the triads in common usage. [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been doing a few articles on the CAGED system recently, so I thought it was about time that I released a pdf with the basic CAGED shapes for simple triads.<br />
<span id="more-1221"></span><br />
This pdf below shows the CAGED forms for major, minor, augmented, diminished, sus2 and sus4 chords, covering all of the triads in common usage.</p>
<p>Click to get the <a href="http://www.tyquinn.com/files/wp-content/uploads/2009/09/CAGED-Triads1.pdf">Simple Triads</a> pdf</p>
]]></content:encoded>
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		<title>Scale Charts: Major, Minor(s), and Pentatonics</title>
		<link>http://www.tyquinn.com/2009/scale-charts-major-minors-and-pentatonics/</link>
		<comments>http://www.tyquinn.com/2009/scale-charts-major-minors-and-pentatonics/#comments</comments>
		<pubDate>Thu, 06 Aug 2009 08:01:44 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>
		<category><![CDATA[Scales]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=604</guid>
		<description><![CDATA[Recently I&#8217;ve been preparing a number of chord charts and scale charts for my CAGED Articles as well as for the Essential Open Chords post. While I was backing-up/re-organising my working files from those posts I realised, that I&#8217;d created a whole bunch of fingering charts. So I added a the ones that were missing [...]]]></description>
			<content:encoded><![CDATA[<p>Recently I&#8217;ve been preparing a number of chord charts and scale charts for my <a href="http://www.tyquinn.com/files/category/series/the-caged-system">CAGED Articles</a> as well as for the <a href="http://www.tyquinn.com/files/2009/essential-open-chords">Essential Open Chords</a> post. While I was backing-up/re-organising my working files from those posts I realised, that I&#8217;d created a whole bunch of fingering charts. So I added a the ones that were missing and collated them all into a few pdfs and hey presto!<br />
<span id="more-604"></span></p>
<ul>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Major-Pentatonic.pdf'>Major Pentatonic</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Minor-Pentatonic.pdf'>Minor Pentatonic</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Blues-Scale.pdf'>Blues Scale</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Major-Scale.pdf'>Major Scale</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Natural-Minor-Scale.pdf'>Natural Minor Scale</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Melodic-Minor.pdf'>Melodic Minor</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Harmonic-Minor.pdf'>Harmonic Minor</a></li>
</ul>
<p>And here are all of the <a href='http://www.tyquinn.com/files/wp-content/uploads/2009/08/Common-Scales.pdf'>scales in a single multipage pdf</a>.</p>
<p>Have fun&#8230; well, as much as one can have learning scales <img src='http://www.tyquinn.com/files/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
]]></content:encoded>
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		<item>
		<title>Scale Charts: Diatonic Modes</title>
		<link>http://www.tyquinn.com/2009/scale-charts-diatonic-modes/</link>
		<comments>http://www.tyquinn.com/2009/scale-charts-diatonic-modes/#comments</comments>
		<pubDate>Wed, 22 Jul 2009 08:01:28 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>
		<category><![CDATA[Scales]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=791</guid>
		<description><![CDATA[Today is a pretty simple post, just a pdf for each of the seven diatonic modes. Each pdf includes both a large fretboard map for the whole neck, the five CAGED positions and the seven 3NPS (three notes per string) fingerings. Theres also a single pdf with all seven pages as one document. Note that [...]]]></description>
			<content:encoded><![CDATA[<p>Today is a pretty simple post, just a pdf for each of the seven diatonic modes. Each pdf includes both a large fretboard map for the whole neck, the five CAGED positions and the seven 3NPS (three notes per string) fingerings. Theres also a single pdf with all seven pages as one document.<br />
<span id="more-791"></span></p>
<hr />
<p>Note that the CAGED shapes are drawn such that the &#8216;C&#8217; shape is on the left and the &#8216;D&#8217; shape on the right &#8211; they are not drawn in the order EDCAG as some books/sites might choose to arrange them. I find it makes more sense to begin with the first letter of the word rather than in the middle of the word (even though it is commonly done both ways).</p>
<p>Of course, if you need to refresh yourself as to exactly what is the CAGED system anyway the you might like to check out <a href="http://www.tyquinn.com/files/category/series/the-caged-system">this series of posts on the CAGED system</a>.</p>
<p>Anyway, here are the PDFs &#8211; Enjoy!</p>
<ul>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Ionian-Mode1.pdf'>Ionian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Dorian-Mode1.pdf'>Dorian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Phrygian-Mode1.pdf'>Phrygian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Lydian-Mode1.pdf'>Lydian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Mixolydian-Mode1.pdf'>Mixolydian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Aeolian-Mode1.pdf'>Aeolian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Locrian-Mode1.pdf'>Locrian Mode</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/07/Diatonic-Mode-Fingering-Diagrams1.pdf'>Diatonic Mode Fingering Diagrams</a></li>
</ul>
]]></content:encoded>
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		<item>
		<title>Blank Music Paper</title>
		<link>http://www.tyquinn.com/2009/blank-music-paper/</link>
		<comments>http://www.tyquinn.com/2009/blank-music-paper/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 08:01:06 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>
		<category><![CDATA[Chords]]></category>
		<category><![CDATA[Scales]]></category>
		<category><![CDATA[Theory]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=607</guid>
		<description><![CDATA[I&#8217;ve been working on a few up-coming posts about rhythm reading &#8211; and I&#8217;ve been using the Lilypond music engraver to prepare the notation. In doing so I&#8217;ve also discovered how to create blank manuscript and blank TAB paper. I also grabbed out the old templates I&#8217;ve been using to create my chord charts. Sorry, [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been working on a few up-coming posts about rhythm reading &#8211; and I&#8217;ve been using the <a href="http://lilypond.org/">Lilypond music engraver</a> to prepare the notation. In doing so I&#8217;ve also discovered how to create blank manuscript and blank TAB paper. I also grabbed out the old templates I&#8217;ve been using to create my chord charts.<br />
<span id="more-607"></span></p>
<hr/>
<p>Sorry, but I haven&#8217;t quite figured out how to do 4, 5 and 7 string blank TAB for guitar and bass &#8211; I&#8217;ll post them as soon as I can&#8230;</p>
<ul>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/blank-manuscript1.pdf'>Standard Notation with Treble Clef</a></li
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/blank-tab1.pdf'>TAB</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/hybrid-staff-tab1.pdf'>Hybrid with Both Standard Notation and TAB</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/chord-boxes1.pdf'>Chord Boxes</a></li>
<li><a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/fretboard-diagram1.pdf'>Full Page Fretboard Diagrams</a></li>
</ul>
]]></content:encoded>
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		<item>
		<title>Essential Open Chords</title>
		<link>http://www.tyquinn.com/2009/essential-open-chords/</link>
		<comments>http://www.tyquinn.com/2009/essential-open-chords/#comments</comments>
		<pubDate>Wed, 03 Jun 2009 08:01:16 +0000</pubDate>
		<dc:creator>Ty Quinn</dc:creator>
				<category><![CDATA[Chord, Scale and Arpeggio Charts]]></category>
		<category><![CDATA[Chords]]></category>

		<guid isPermaLink="false">http://www.tyquinn.com/files/?p=545</guid>
		<description><![CDATA[Today I thought I&#8217;d post a pdf of a convenient chart of the most common open chord grips. Every player should be familiar with these simple shapes (even the slightly obscure ones such as 7sus4 chords) since they help develop more interesting movable shapes later on. Click the link for the Essential Open Chords (pdf).]]></description>
			<content:encoded><![CDATA[<p>Today I thought I&#8217;d post a pdf of a convenient chart of the most common open chord grips. Every player should be familiar with these simple shapes (even the slightly obscure ones such as 7sus4 chords) since they help develop more interesting movable shapes later on.<br />
<span id="more-545"></span></p>
<hr/>
Click the link for the <a href='http://www.tyquinn.com/files/wp-content/uploads/2009/06/essential-open-chords1.pdf'>Essential Open Chords (pdf)</a>.</p>
]]></content:encoded>
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